<?xml version="1.0" encoding="utf-8"?>
<?xml-stylesheet type="text/css" href="http://virtualjapan.com/wiki/skins/common/feed.css?116"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
		<id>http://virtualjapan.com/wiki/index.php?action=history&amp;feed=atom&amp;title=I_Live_in_Fear</id>
		<title>I Live in Fear - Revision history</title>
		<link rel="self" type="application/atom+xml" href="http://virtualjapan.com/wiki/index.php?action=history&amp;feed=atom&amp;title=I_Live_in_Fear"/>
		<link rel="alternate" type="text/html" href="http://virtualjapan.com/wiki/index.php?title=I_Live_in_Fear&amp;action=history"/>
		<updated>2026-04-30T18:43:16Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
		<generator>MediaWiki 1.12.0</generator>

	<entry>
		<id>http://virtualjapan.com/wiki/index.php?title=I_Live_in_Fear&amp;diff=3555&amp;oldid=prev</id>
		<title>Wija at 17:17, 26 June 2008</title>
		<link rel="alternate" type="text/html" href="http://virtualjapan.com/wiki/index.php?title=I_Live_in_Fear&amp;diff=3555&amp;oldid=prev"/>
				<updated>2008-06-26T17:17:53Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
			&lt;col class='diff-marker' /&gt;
			&lt;col class='diff-content' /&gt;
			&lt;col class='diff-marker' /&gt;
			&lt;col class='diff-content' /&gt;
			&lt;tr&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 17:17, 26 June 2008&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Heaven and Hell&lt;/del&gt;''' (&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Tengoku to jigoku&lt;/del&gt;) is a full-length Japanese movie that was &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;released in &lt;/del&gt;[[&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;1963&lt;/del&gt;]]. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;''Heaven and Hell'' &lt;/del&gt;was &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;directed and co-written by &lt;/del&gt;[[&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Akira Kurosawa&lt;/del&gt;]]&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;. Kurosawa is known world-wide for his amazing movies. While he &lt;/del&gt;is most well-known &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;for his historical films, &lt;/del&gt;Kurosawa &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;also made movies that detailed the human condition&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Heaven and Hell &lt;/del&gt;is &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;said to have been based on a novel by an American author named Evan Hunter. Using &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;pseudonym Ed McBain, Hunter is most remembered for his crime fiction novels. It is said &lt;/del&gt;that &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Kurosawa &lt;/del&gt;was &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;influenced by Hunter’s novel&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;''Kings Ransom''. ''Heaven &lt;/del&gt;and &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Hell'' can also be found under &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;title ''High &lt;/del&gt;and &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Low''&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;I Live In Fear&lt;/ins&gt;''' (&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Ikimono no kiroku&lt;/ins&gt;) is a full-length &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Japanese movie&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;that was &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;written and directed by Japan’s most famous director: &lt;/ins&gt;[[&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Akira Kurosawa&lt;/ins&gt;]]. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;It &lt;/ins&gt;was &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;released in &lt;/ins&gt;[[&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;1955&lt;/ins&gt;]]&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;, directly after [[Seven Samurai]], which &lt;/ins&gt;is &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;arguably the &lt;/ins&gt;most well-known Kurosawa &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;movie&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;I Live In Fear, though, &lt;/ins&gt;is &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;not &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;huge production &lt;/ins&gt;that &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Seven Samurai &lt;/ins&gt;was, and &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;is instead a movie that focuses more on emotions and what goes on in &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;brain. There has been some debate between Kurosawa fans &lt;/ins&gt;and &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Literature scholars, that I Live In Fear is mainly derived from Shakespeare’s King Lear&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;''Heaven and Hell'' is better described as being &lt;/del&gt;a &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;play that takes place in two acts&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;In the beginning&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;the viewer finds Toshirō Mifune&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/del&gt;Kurosawa &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;regular&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;as a high-flying executive named Kingo Gondo&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Gondo wants &lt;/del&gt;to &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;get control over the National Shoe Company in order to take complete control &lt;/del&gt;of the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;company. One side of the company wants to make cheap shoes and sell them cheaply&lt;/del&gt;. The &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;other side wants &lt;/del&gt;to &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;keep making high-quality shoes at expensive prices. Gondo is in &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;middle&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;He wants &lt;/del&gt;to &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;make good quality modern shoes &lt;/del&gt;with &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;low prices&lt;/del&gt;. &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;The movie opens with &lt;/ins&gt;a &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;dentist&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;This dentist has a job to do&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;which is to help decide if an old man is sane or insane. [[Kiichi Nakajima]]&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;played by &lt;/ins&gt;Kurosawa &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;veteran [[Toshiro Mifune]]&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;is an older man who begins to argue with his children&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;They believe that he is going &lt;/ins&gt;to &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;sell his foundry, their only source &lt;/ins&gt;of &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;income, and will squander &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;money&lt;/ins&gt;. The &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;children get together and decide &lt;/ins&gt;to &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;have him declared mentally incompetent so that they will be able to control what happens with &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;foundry and the money&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;If he is found mentally incompetent, he will be sentenced &lt;/ins&gt;to &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;live out the rest of his days in an asylum, and while some members of his family struggle &lt;/ins&gt;with &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;this, others do not&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Gondo mortgages everything he has and &lt;/del&gt;is &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;ready to make the purchase when he &lt;/del&gt;is &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;told that &lt;/del&gt;his &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;son has been kidnapped. The kidnappers demand &lt;/del&gt;a very &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;large ransom from Gondo and he gets ready &lt;/del&gt;to &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;make &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;payment when he learns that the kidnappers have messed up&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Instead of stealing Gondo’s child&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;they have taken his chauffeur’s. The buyout is imminent &lt;/del&gt;and &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Gondo is forced to decide if he should pay &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;ransom or take over the company&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;as &lt;/del&gt;he &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;truly wants &lt;/del&gt;to.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;It &lt;/ins&gt;is &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;eventually discovered that Kiichi &lt;/ins&gt;is &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;not being so unrational because of &lt;/ins&gt;his &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;greedy children, but is instead convinced that a nuclear bomb will destroy Japan in &lt;/ins&gt;a very &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;short time. His reasoning behind selling the foundry is &lt;/ins&gt;to &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;be able to move &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;entire family to a farm in Brazil&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Kiichi has a few mistresses&lt;/ins&gt;, and &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;several illegitimate children, and even they get into &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;mix&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;clamoring to get into Kiichi’s will should &lt;/ins&gt;he &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;be remanded to a mental institution. Kiichi even ends up burning down his foundry in order to convince his family &lt;/ins&gt;to &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;go with him&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Gondo is unable to hide &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;fact that he wants &lt;/del&gt;to &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;get controlling interest &lt;/del&gt;when his &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;most trusted aide tells the other side what Gondo is up to&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;He realizes that his aide only told the other executives about his plans &lt;/del&gt;in &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;order to save his own neck, but the betrayal is still bitter&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;It means that if Gondo does not purchase &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;stock, the executives will vote him out. Eventually Gondo chooses to pay the ransom. After a long evening of listening to his wife &lt;/del&gt;and &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;his chauffeur, he realized &lt;/del&gt;that it &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;right thing to do. The executives at the National Shoe Company get ready to kick Gondo out when they discover &lt;/del&gt;that he &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;has become a national hero&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Consumers threaten to boycott the company if they get rid of Gondo&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;After a time, &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;family ends up having &lt;/ins&gt;to &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;make a decision on where they stand with their father. The decision is made for them &lt;/ins&gt;when&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;, during a family meeting, Kiichi starts beating on &lt;/ins&gt;his &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;youngest son for making a small remark&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;The movie ends with Kiichi sitting &lt;/ins&gt;in &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;a cell in a mental institution&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;He sees &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;sun setting &lt;/ins&gt;and &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;believes &lt;/ins&gt;that it &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;is a fire caused by &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;nuclear bomb &lt;/ins&gt;that he &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;always knew would explode&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;In Kiichi’s eyes, he was right&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;The second half of &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;movie is where the crime drama comes in&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;It follows &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;police as they attempt to find the kidnapper in order to put him in jail&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;For Kurosawa&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;there are no glitzy police scenarios&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;The viewer can clearly see how grueling police work really &lt;/del&gt;is &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;as &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;case is meticulously built against &lt;/del&gt;the &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;criminal&lt;/del&gt;. &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;The movie goes from having it all&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Heaven, to the lowest depths &lt;/del&gt;of Japan’s &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;lower class&lt;/del&gt;, &lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;thought of as Hell&lt;/del&gt;. &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;==Misc Info==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;There has been some debate over Kurosawa’s decision to cast Mifune as &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;main character&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;At &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;age of thirty-five, Mifune is much younger than Kiichi is&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Although makeup, especially back then&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;has a way of hiding an actor’s facial features, Mifune pulls it off beautifully&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;It should be noted that he &lt;/ins&gt;is &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;a bit more active than a real elderly man would be, but &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;emotion and power he put behind &lt;/ins&gt;the &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;performance carries it through believably&lt;/ins&gt;. &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Kurosawa&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;one &lt;/ins&gt;of Japan’s &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;finest directors&lt;/ins&gt;, &lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;cast Mifune in many roles through out his long movie career, and for good reason&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:Japanese movies]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:Japanese movies]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Movies directed by Akira Kurosawa]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wija</name></author>	</entry>

	<entry>
		<id>http://virtualjapan.com/wiki/index.php?title=I_Live_in_Fear&amp;diff=2754&amp;oldid=prev</id>
		<title>Jpnfo at 20:38, 5 October 2007</title>
		<link rel="alternate" type="text/html" href="http://virtualjapan.com/wiki/index.php?title=I_Live_in_Fear&amp;diff=2754&amp;oldid=prev"/>
				<updated>2007-10-05T20:38:31Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;'''Heaven and Hell''' (Tengoku to jigoku) is a full-length Japanese movie that was released in [[1963]]. ''Heaven and Hell'' was directed and co-written by [[Akira Kurosawa]]. Kurosawa is known world-wide for his amazing movies. While he is most well-known for his historical films, Kurosawa also made movies that detailed the human condition. Heaven and Hell is said to have been based on a novel by an American author named Evan Hunter. Using the pseudonym Ed McBain, Hunter is most remembered for his crime fiction novels. It is said that Kurosawa was influenced by Hunter’s novel, ''Kings Ransom''. ''Heaven and Hell'' can also be found under the title ''High and Low''.&lt;br /&gt;
&lt;br /&gt;
== Synopsis ==&lt;br /&gt;
&lt;br /&gt;
''Heaven and Hell'' is better described as being a play that takes place in two acts. In the beginning, the viewer finds Toshirō Mifune, a Kurosawa regular, as a high-flying executive named Kingo Gondo. Gondo wants to get control over the National Shoe Company in order to take complete control of the company. One side of the company wants to make cheap shoes and sell them cheaply. The other side wants to keep making high-quality shoes at expensive prices. Gondo is in the middle. He wants to make good quality modern shoes with low prices. &lt;br /&gt;
&lt;br /&gt;
Gondo mortgages everything he has and is ready to make the purchase when he is told that his son has been kidnapped. The kidnappers demand a very large ransom from Gondo and he gets ready to make the payment when he learns that the kidnappers have messed up. Instead of stealing Gondo’s child, they have taken his chauffeur’s. The buyout is imminent and Gondo is forced to decide if he should pay the ransom or take over the company, as he truly wants to.&lt;br /&gt;
&lt;br /&gt;
Gondo is unable to hide the fact that he wants to get controlling interest when his most trusted aide tells the other side what Gondo is up to. He realizes that his aide only told the other executives about his plans in order to save his own neck, but the betrayal is still bitter. It means that if Gondo does not purchase the stock, the executives will vote him out. Eventually Gondo chooses to pay the ransom. After a long evening of listening to his wife and his chauffeur, he realized that it was the right thing to do. The executives at the National Shoe Company get ready to kick Gondo out when they discover that he has become a national hero. Consumers threaten to boycott the company if they get rid of Gondo.&lt;br /&gt;
&lt;br /&gt;
The second half of the movie is where the crime drama comes in. It follows the police as they attempt to find the kidnapper in order to put him in jail. For Kurosawa, there are no glitzy police scenarios. The viewer can clearly see how grueling police work really is as the case is meticulously built against the criminal. The movie goes from having it all, Heaven, to the lowest depths of Japan’s lower class, thought of as Hell. &lt;br /&gt;
&lt;br /&gt;
[[Category:Japanese movies]]&lt;/div&gt;</summary>
		<author><name>Jpnfo</name></author>	</entry>

	</feed>